Archive
Critical writing on film, television, advertising, and culture — adapted from the CultPost podcast and elsewhere.
40 essays
Türk edebiyatına psikanalitik bir bakış
Buried colonial memory in Haneke's Caché
A Turkish intellectual circle's path from Marxism to Kemalism
Deleuze and Guattari on Netflix's Unchosen
Love and curatorial power across Pamuk's novel, museum, and series
Motherhood, desire, and the fragility of the coherent self
Stuart Hall, articulation, and the possibility of alternative meanings
Migrant care work behind Denmark's affluent facades
Gender, surveillance, and the limits of technological liberation
When an anti-capitalist story becomes a capitalist commodity
Ageism, the divided self, and the grotesque body
Barthes, interpretation, and the production of truth
Why class inequality stays invisible in advertising
Stereotypes, myths, and invisible class differences
Nation branding, soft power, and lessons from around the world
Adorno and Horkheimer meet Money Heist
Who gets to represent religious-conservative life on Turkish TV
Reproductive biopolitics and the fragility of rights
Minority memory and counter-history in "Kulüp"
Class, distinction, and cultural capital
Şerif Mardin's center–periphery lens on Turkish cinema
From Bernays to Benetton on brand activism
Overlapping identities beyond single-axis feminism
Nike, Dove, Always, and the limits of feminist marketing
Distance, mourning, and the interrupted work of grief in Brecht
Language, memory, and resistance in the theatre of the absurd
Fascist aesthetics, Futurism, and the politics of “degenerate art”
Vico's afterlife in Adorno, Kafka, and Bakhtin
Fragmentation and coherence in the autobiographical “I”
Austin, Butler, and literature as a performative act
Gender, language, and feminist utopia in speculative fiction
Trauma, kingship, and repetition in Shakespeare's Macbeth
Repetition and the signifier in Gogol's classic tale
Youth, realism, and rupture in the French New Wave
Lacan's return to Freud through Poe's Purloined Letter
Bakhtin on carnival, the grotesque body, and temporary liberation
Deleuze on the movement-image and the time-image
Five periods in the development of classical Hollywood cinema
Zavattini, Bazin, and the neorealist claim on reality
Modernity and labor in Vertov's revolutionary newsreels